論歌唱訓(xùn)練中的呼吸、共鳴問題

論歌唱訓(xùn)練中的呼吸、共鳴問題

畢業(yè)論文

[摘要] 呼吸是動力，氣息沖擊聲帶發(fā)出聲音，這聲音經(jīng)過共鳴腔體把它加以擴(kuò)大和美化，而形成動聽的歌聲。歌唱者在考慮問題的時候不要只考慮1個問題，如只想練呼吸，其他問題不想，如果沒有其他因素的輔助，你很難斷定你唱得是對還是不對，對到什么程度，為什么是對的，或者錯是錯到什么程度，為什么是錯的，怎么才是最合適的，要從最后的音響來判斷。簡單地說，絕不會出現(xiàn)這種現(xiàn)象！你用的共鳴是好的，嗓子也對，就是呼吸不好。這是不可能的。要是對就全對，有1個部分不對，其他兩個也好不了，這3個是統(tǒng)1體。本文試通過關(guān)于呼吸和共鳴的論述讓更多聲樂愛好者更快、更科學(xué)的掌握其訓(xùn)練方法。
[關(guān)鍵詞] 呼吸  共鳴

Abstract： four parts , the breath strikes the vocal cord and sounds, this sound expands and beautifies it through a of body of sympathetic response, and form beautiful song. The persons who sing dont only consider a question when consider the question, if only want to practice breathing, other problem think of, without to assist other factor, you very difficult to conclude you sing one right wrong, to what degree does it reach, why be right, or fault what degree does it reach by mistake, why is wrong, how is it the most suitable , judge from the last stereo . To be simple , will never present this kind of phenomenon ! The sympathetic response that you use is good, the throat is right too, but does not breathe well. This is impossible. If correctly on correctly , have one incorrect part , have two more other very too while being the whole, these three are entities .
Keywords: location  breathe  sympathetic response

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